References

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2. G. Loy, C. Abbott, Programming Languages for Computer Music Synthesis, Performance, and Composition, ACM Computing Surveys, Vol. 17 No. 2, June 1985
3. R. B. Dannenberg, The CMU MIDI Toolkit, Charles Ives Edition, Center for Art and Technology, Carnegie-Mellon University (1986)
4. G. Read, Music Notation, A Manual of Modern Practice, Allyn & Bacon, Inc. (1964)
5. Jean-Jacques Rousseau, Project Concerning New Symbols for Music, translated by Bernarr Rainbow, Boethius Press, Ireland (1982)
6. C. Roads, Research in Music and Artificial Intelligence, ACM Computing Surveys, Vol 17 No. 2, June 1985
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13. A. Mendel, Some Preliminary Attempts at Computer Assisted Style Analysis in Music, Computers and the Humanities Vol 4 No 1 Sept 1969 pp. 41-52
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18. W. Reeves et al, Ludwig : An example of interactive computer graphics in a score editor, C. Roads (ed), Proceedings of the 1978 International Computer Music Conference, vol 2, Northwestern University Press (1978)
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21. Wirth, N., What Can We Do about the Unnecessary Diversity of Notations for Syntactic Definitions?, Communications of the ACM, 20, 11 (Nov 1977)

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